1 00:00:00,781 --> 00:00:02,101 What's the set-up? 2 00:00:02,101 --> 00:00:04,181 It's perfect. House is miles from anywhere. 3 00:00:04,181 --> 00:00:07,221 'It's definitely a real Stubbs?' 'Yeah. Worth thousands.' 4 00:00:10,501 --> 00:00:12,181 SHE SCREAMS Out of my way! 5 00:00:12,181 --> 00:00:14,821 GLASS SMASHES Move, or I'll blow your brains out! 6 00:00:21,981 --> 00:00:23,621 'You've gotta let me in, Boisie. 7 00:00:23,621 --> 00:00:26,781 'Men have been pushing me around my whole life.' 8 00:00:26,781 --> 00:00:28,981 I won't have it any more. 9 00:00:28,981 --> 00:00:31,941 I'm still... waiting for a visit from the social worker. 10 00:00:31,941 --> 00:00:33,821 'I'm desperate to get my little girl back.' 11 00:00:37,261 --> 00:00:39,861 What do you want, Joan? A normal life. 12 00:00:41,661 --> 00:00:45,301 Can you act? With you on my arm, anything's possible. 13 00:00:49,541 --> 00:00:52,741 I want an 18-carat four-claw mount with the fake set in. 14 00:00:52,741 --> 00:00:54,541 You love all this, don't you? 15 00:00:54,541 --> 00:00:57,861 Dressing up... pretending. 16 00:00:59,581 --> 00:01:02,221 'I can't get that cute little ring out of my mind.' 17 00:01:02,221 --> 00:01:04,661 It's an exceptional piece. 18 00:01:04,661 --> 00:01:07,261 Thought you really were a green-eyed monster for a minute. 19 00:01:13,341 --> 00:01:14,621 You like him, though? 20 00:01:14,621 --> 00:01:17,141 Yeah, I do. I think he's great. 21 00:01:18,981 --> 00:01:20,421 Marry me? 22 00:01:21,541 --> 00:01:24,181 Yeah. YES! 23 00:01:24,181 --> 00:01:27,581 Yes. Crack the champers! 24 00:01:35,741 --> 00:01:37,701 I've got something I need to tell you. 25 00:01:37,701 --> 00:01:39,341 What? 26 00:01:39,341 --> 00:01:42,301 The Ashburys have asked us if they can adopt Kelly. 27 00:01:42,301 --> 00:01:44,221 It's just a request at the moment. 28 00:01:44,221 --> 00:01:45,501 You're her mother, 29 00:01:45,501 --> 00:01:48,341 and no-one's doing anything without due process. 30 00:01:48,341 --> 00:01:51,141 We do always try to keep children with their mothers. 31 00:01:51,141 --> 00:01:53,221 It's really important that Kelly 32 00:01:53,221 --> 00:01:56,701 moves back into a settled, stable environment. 33 00:01:56,701 --> 00:01:59,141 And right now, we're not convinced you can provide that. 34 00:02:30,421 --> 00:02:33,141 BOISIE: Come on, then, let's get you that sparkler. 35 00:02:36,981 --> 00:02:38,461 Morning. 36 00:02:41,701 --> 00:02:45,501 There we are. Perfect engagement ring. 37 00:02:46,661 --> 00:02:50,141 Nice. It's gorgeous. 38 00:02:56,261 --> 00:02:57,741 I love it. 39 00:02:59,701 --> 00:03:01,301 Do you think Kelly will like it? 40 00:03:02,741 --> 00:03:06,461 I can't believe she's gonna be here in a couple of hours. 41 00:03:06,461 --> 00:03:09,421 I can't believe I handed over good money for it. 42 00:03:09,421 --> 00:03:13,381 I'm not nicking my own engagement ring, am I? 43 00:03:13,381 --> 00:03:14,741 Forty grand, Joan? 44 00:03:16,341 --> 00:03:19,301 It's bad luck to start marriage with stolen goods. 45 00:03:19,301 --> 00:03:21,901 Oh, but it's all right if the cash came from the 65 grand we got 46 00:03:21,901 --> 00:03:23,781 from selling a ring you did half-inch? 47 00:03:23,781 --> 00:03:25,301 Mm. Yeah? 48 00:03:25,301 --> 00:03:27,101 Are you saying I'm not worth it? 49 00:03:27,101 --> 00:03:31,061 Hm? Cos we both know I am. 50 00:03:35,661 --> 00:03:37,141 Love that. 51 00:03:37,141 --> 00:03:38,461 MAN: All right, Boisie? 52 00:03:53,941 --> 00:03:56,141 What can I do you for? 53 00:03:56,141 --> 00:03:57,301 DS Harris. 54 00:03:57,301 --> 00:04:01,421 You heard anything about an art theft in Sussex? 55 00:04:01,421 --> 00:04:03,381 Not a word. 56 00:04:03,381 --> 00:04:06,661 A George Stubbs got nicked, and a gun was involved. 57 00:04:06,661 --> 00:04:09,501 Oh, yeah? You won't mind if we look inside? 58 00:04:27,821 --> 00:04:30,661 Don't suppose you've heard any... whispers? 59 00:04:30,661 --> 00:04:34,021 Me? Why would I? 60 00:04:39,021 --> 00:04:42,101 They must know something, Boisie. That's just what they do. 61 00:04:42,101 --> 00:04:44,421 They check all the antique shops in the area. 62 00:04:44,421 --> 00:04:46,941 Yeah, but how long are they gonna take? 63 00:04:46,941 --> 00:04:49,941 I mean, what if Kelly comes back early...? Stop. 64 00:04:49,941 --> 00:04:51,301 It's going to be fine. 65 00:04:59,861 --> 00:05:03,061 Don't let the door hit your arse on the way out. 66 00:05:09,661 --> 00:05:12,061 We've gotta get rid of that painting. 67 00:05:12,061 --> 00:05:14,901 I'm working on it. Never mind "working on it". 68 00:05:14,901 --> 00:05:17,421 We can't sell it now, can we? Just chuck it in the river. 69 00:05:19,341 --> 00:05:22,781 I can't fight Kelly's adoption with the police sniffing around. 70 00:05:22,781 --> 00:05:24,741 They didn't find anything. Yeah, but if they do, 71 00:05:24,741 --> 00:05:26,741 it's a direct link between us and the robbery. 72 00:05:26,741 --> 00:05:29,501 Can you calm down? We carry on as normal, it'll blow over. 73 00:05:29,501 --> 00:05:33,541 Are you fucking serious? What do you suggest, Joan? 74 00:05:33,541 --> 00:05:35,341 We go straight. 75 00:05:35,341 --> 00:05:37,381 What? 76 00:05:37,381 --> 00:05:39,341 We run this place completely legit from now on. 77 00:05:40,821 --> 00:05:43,701 There ain't an antiques shop in the world that's completely legit. 78 00:05:43,701 --> 00:05:46,421 Yes, but we need the social to think we're a normal couple. 79 00:05:46,421 --> 00:05:49,261 We're not, though, are we? I mean it, Boisie. 80 00:05:49,261 --> 00:05:53,981 So, no more diamonds, no more furs? 81 00:05:53,981 --> 00:05:58,301 And what will you do all day? I'll work in the shop. 82 00:06:10,261 --> 00:06:12,021 DOOR BELL RINGS 83 00:06:13,181 --> 00:06:16,621 Put that out. They'll give her the third degree when she gets back. 84 00:06:16,621 --> 00:06:18,421 She's a kid. 85 00:06:18,421 --> 00:06:21,381 Well, she ain't stupid, I'm telling you now. 86 00:06:22,861 --> 00:06:25,261 Hello! 87 00:06:25,261 --> 00:06:28,021 Hi, Kel. Come in, come in. 88 00:06:28,021 --> 00:06:31,021 Hi, sweetheart. How are you? 89 00:06:34,301 --> 00:06:35,981 When did you get that big? 90 00:06:35,981 --> 00:06:38,661 You must be Boisie. Mrs May. 91 00:06:38,661 --> 00:06:40,741 And you must be Kelly. 92 00:06:40,741 --> 00:06:42,981 Kels, this is Boisie. 93 00:06:42,981 --> 00:06:46,861 Boisie, this is the most beautiful girl in all the world. 94 00:06:46,861 --> 00:06:49,821 Right, I'll be back later to get you for your tea. 95 00:06:49,821 --> 00:06:51,661 Oh, don't worry, I've got loads in for her. 96 00:06:51,661 --> 00:06:54,421 Burgers. Hot dogs. 97 00:06:54,421 --> 00:06:56,701 You still like hot dogs, don't you? Course she does. 98 00:06:56,701 --> 00:06:58,221 Who doesn't like hot dogs? 99 00:06:58,221 --> 00:07:00,101 CHUCKLES Bye-bye, Kelly. 100 00:07:00,101 --> 00:07:02,541 Bye. Thank you. Let me get the door for you. 101 00:07:02,541 --> 00:07:05,301 Thank you. Oops. Ha. 102 00:07:06,661 --> 00:07:07,861 Right. 103 00:07:09,221 --> 00:07:12,941 So, today, we are gonna go and see Auntie Nancy, 104 00:07:12,941 --> 00:07:17,381 and she has a big treat for you! 105 00:07:17,381 --> 00:07:20,101 MUSIC: 'Love Action' by The Human League 106 00:07:20,101 --> 00:07:22,261 You know you're in love... 107 00:07:22,261 --> 00:07:24,861 And spin! Whoo! Go, Kelly! 108 00:07:24,861 --> 00:07:27,381 109 00:07:27,381 --> 00:07:29,661 Whee-hee! 110 00:07:29,661 --> 00:07:31,981 111 00:07:31,981 --> 00:07:35,621 112 00:07:35,621 --> 00:07:39,221 Or if you're a child 113 00:07:39,221 --> 00:07:41,781 114 00:07:44,501 --> 00:07:48,301 Kel. Kelly, say cheese. 115 00:07:48,301 --> 00:07:51,221 Cheese. Yay! 116 00:07:56,621 --> 00:07:59,421 Kelly! Grab anything you fancy. 117 00:07:59,421 --> 00:08:01,661 Stop fussing. 118 00:08:01,661 --> 00:08:04,021 SIGHS I need this to go well. 119 00:08:04,021 --> 00:08:05,701 It is going well. 120 00:08:07,061 --> 00:08:08,701 I want her back, Boisie. 121 00:08:08,701 --> 00:08:11,701 We have to go straight. 122 00:08:11,701 --> 00:08:13,341 It's not that simple. 123 00:08:13,341 --> 00:08:15,461 Yes, it is. I have to do this for her. 124 00:08:15,461 --> 00:08:17,701 You understand that, right? Yeah. I get it. 125 00:08:17,701 --> 00:08:19,901 So you'll get rid of that painting, then, yeah? 126 00:08:22,981 --> 00:08:25,621 I got the chocolate one! Look. Aw. 127 00:08:27,861 --> 00:08:29,541 My goodness. 128 00:08:40,381 --> 00:08:42,261 Do you know what this means? 129 00:08:45,021 --> 00:08:46,861 That Mummy likes diamonds? 130 00:08:46,861 --> 00:08:49,021 THEY CHUCKLE Clever girl. 131 00:08:50,701 --> 00:08:55,421 But it also means I've asked your mum if she'll marry me. 132 00:09:01,621 --> 00:09:03,381 And then you'll come and live with us, 133 00:09:03,381 --> 00:09:05,501 and we'll be a proper family again. 134 00:09:05,501 --> 00:09:07,101 A fresh start. 135 00:09:07,101 --> 00:09:10,021 Am I coming to the wedding? 136 00:09:10,021 --> 00:09:11,981 Of course. 137 00:09:11,981 --> 00:09:14,861 You'll be my chief bridesmaid, obviously. 138 00:09:14,861 --> 00:09:18,621 You and Aunty Nancy. You'll have pretty frocks, flowers. 139 00:09:20,581 --> 00:09:22,101 Will I get flowers in my hair? 140 00:09:22,101 --> 00:09:25,101 Well, I mean, you can't be a bridesmaid 141 00:09:25,101 --> 00:09:28,941 without bloody flowers in your hair, can you? 142 00:09:28,941 --> 00:09:30,421 CHUCKLES 143 00:09:35,821 --> 00:09:38,381 Well, look... 144 00:09:38,381 --> 00:09:42,181 I might be able to put a bit more cash in your direction, 145 00:09:42,181 --> 00:09:43,501 if you're interested? 146 00:09:43,501 --> 00:09:46,061 I need a buyer for something. 147 00:09:46,061 --> 00:09:47,861 Sharpish. All right. 148 00:09:47,861 --> 00:09:50,621 What we talking about? A Stubbs painting. 149 00:09:51,701 --> 00:09:52,901 You nicked that? 150 00:09:52,901 --> 00:09:54,981 Yeah, me and Joan. 151 00:09:59,101 --> 00:10:02,021 THEY CHUCKLE 152 00:10:02,021 --> 00:10:03,941 Police are asking a lot of questions about it. 153 00:10:03,941 --> 00:10:06,381 Why I need a buyer. 154 00:10:06,381 --> 00:10:09,261 None of the usual suspects are gonna touch anything that hot. 155 00:10:09,261 --> 00:10:13,261 Can you think of any unusual suspects? 156 00:10:20,261 --> 00:10:22,021 Maybe. Yeah? 157 00:10:22,021 --> 00:10:23,181 For... 158 00:10:24,701 --> 00:10:27,221 ..25%. 25?! 159 00:10:27,221 --> 00:10:29,301 Risky. Do me a favour. 160 00:10:29,301 --> 00:10:32,821 Risky, risky, risky this one, Boise. Very risky. 161 00:10:32,821 --> 00:10:34,861 All right, all right, save the spiel, mate, 162 00:10:34,861 --> 00:10:37,421 I know you're broke. Who've you got in mind? 163 00:10:38,661 --> 00:10:40,141 ALBIE CLEARS THROAT 164 00:10:40,141 --> 00:10:41,381 Darling? 165 00:10:46,821 --> 00:10:48,181 The Irish. 166 00:10:49,581 --> 00:10:50,901 IRA? 167 00:10:54,141 --> 00:10:55,781 They've always got money to spend. 168 00:10:55,781 --> 00:10:57,421 What are a bunch of terrorists gonna do 169 00:10:57,421 --> 00:11:00,141 with a painting of a fucking horse? Hang it on their wall? 170 00:11:00,141 --> 00:11:02,221 They always need to buy things from abroad, right? 171 00:11:02,221 --> 00:11:04,781 Yeah, guns and explosives. 172 00:11:06,581 --> 00:11:10,421 Look, they have trouble moving money overseas. 173 00:11:10,421 --> 00:11:13,221 But... But art, it's a different kettle of fish. 174 00:11:15,261 --> 00:11:17,381 You think we can trust people like that? 175 00:11:21,741 --> 00:11:23,541 I think that we can trust the fact 176 00:11:23,541 --> 00:11:26,421 that they always need things to shift. 177 00:11:26,421 --> 00:11:28,101 And a Stubbs is perfect. 178 00:11:35,301 --> 00:11:38,981 So, is it yes, or no? 179 00:11:50,741 --> 00:11:54,621 BABY CRYING 180 00:12:00,981 --> 00:12:03,421 What are you doing? 181 00:12:03,421 --> 00:12:06,661 Needs restoration, but before that, 182 00:12:06,661 --> 00:12:09,941 there can't be a grain of dirt, or it'll get trapped. 183 00:12:14,821 --> 00:12:18,021 Why don't you clean the tea sets? There are some special cloths. 184 00:12:19,421 --> 00:12:20,461 Yeah. 185 00:12:20,461 --> 00:12:23,421 Working in the shop was your idea, remember? 186 00:12:23,421 --> 00:12:25,661 Mm-hm. 187 00:12:25,661 --> 00:12:28,141 Yeah, to make sure I get Kelly back. 188 00:12:35,581 --> 00:12:38,061 You know what we should do? 189 00:12:38,061 --> 00:12:40,501 I'm all ears. 190 00:12:40,501 --> 00:12:42,981 We should turn this place into a jewellers. 191 00:12:46,901 --> 00:12:50,341 It's not enough to like sparklers to run a jewellers, Joan. 192 00:12:50,341 --> 00:12:51,901 You have to know about 'em. 193 00:12:51,901 --> 00:12:54,421 And not just that stuff you learned to parrot. 194 00:12:54,421 --> 00:12:56,981 Proper deep knowledge. Fine, I'll learn. 195 00:12:58,781 --> 00:13:01,541 How you gonna do that, then? 196 00:13:04,741 --> 00:13:06,421 I want to be fully qualified. 197 00:13:06,421 --> 00:13:08,301 Then you'll have to do the foundation course 198 00:13:08,301 --> 00:13:11,141 which is £2,250. 199 00:13:11,141 --> 00:13:13,821 Do you take cash? 200 00:13:13,821 --> 00:13:16,021 Ready for the big day tomorrow, Boisie? 201 00:13:16,021 --> 00:13:18,701 Yeah, Joan's got it all under control. 202 00:13:18,701 --> 00:13:21,341 Nice place you've got here. Albie's mate's letting us use it. 203 00:13:21,341 --> 00:13:22,701 Till I get myself sorted. 204 00:13:22,701 --> 00:13:25,021 Won't be long. Fingers crossed. 205 00:13:25,021 --> 00:13:27,141 Give us a shout if you want anything else. 206 00:13:27,141 --> 00:13:28,941 Thanks, Val. 207 00:13:31,901 --> 00:13:34,181 Can't believe you spent five grand on a wedding ring. 208 00:13:34,181 --> 00:13:36,461 And 40 on an engagement ring. 209 00:13:36,461 --> 00:13:38,261 You're going soft, Boise. 210 00:13:38,261 --> 00:13:40,261 EXHALES HEAVILY 211 00:13:40,261 --> 00:13:42,901 Yeah, I couldn't nick 'em - Joan wants us to go straight. 212 00:13:42,901 --> 00:13:46,181 What women want and what they get are two different things. 213 00:13:46,181 --> 00:13:48,741 I've been telling Val I'm going straight for years. 214 00:13:48,741 --> 00:13:50,341 SCOFFS 215 00:13:50,341 --> 00:13:51,901 Joan's different, though. 216 00:13:53,381 --> 00:13:54,861 Too right. 217 00:13:56,061 --> 00:13:58,141 Well, here's a day I thought I'd never see - 218 00:13:58,141 --> 00:13:59,941 you getting married. 219 00:13:59,941 --> 00:14:02,261 Yeah, and to someone you actually like. 220 00:14:02,261 --> 00:14:03,461 CHUCKLES 221 00:14:08,861 --> 00:14:10,181 What? 222 00:14:10,181 --> 00:14:12,141 It's just a bit quick. 223 00:14:12,141 --> 00:14:14,701 Do you know him well enough? 224 00:14:14,701 --> 00:14:16,221 I do, yeah. 225 00:14:16,221 --> 00:14:20,501 We can say anything to one another. There's no... secrets. 226 00:14:21,701 --> 00:14:24,381 So, you're gonna sell the Stubbs to the Irish? 227 00:14:26,581 --> 00:14:28,341 Yeah. 228 00:14:29,821 --> 00:14:32,421 Well, you'll need someone to say it's not a fake. 229 00:14:32,421 --> 00:14:35,581 And it's gotta be an expert. They're no mugs. 230 00:14:35,581 --> 00:14:38,181 Mas cervezas? ALBIE CHUCKLES 231 00:14:38,181 --> 00:14:39,941 Thanks, Val. 232 00:14:39,941 --> 00:14:42,381 These ones done? Yeah. Yeah. 233 00:14:42,381 --> 00:14:43,821 Nice one, babe. 234 00:14:48,221 --> 00:14:50,301 I was thinking Hugo at Abney's. 235 00:14:50,301 --> 00:14:53,501 He's the one that gave me the tip-off in the first place. Hm. 236 00:14:53,501 --> 00:14:55,781 Trust him? 237 00:14:55,781 --> 00:14:57,101 Enough. 238 00:14:58,621 --> 00:15:00,261 'I've got a little something for you.' 239 00:15:04,821 --> 00:15:05,981 Hmm. 240 00:15:15,261 --> 00:15:18,021 Are they real? Course they're bloody real. 241 00:15:18,021 --> 00:15:20,941 Got Kelly a necklace, as well. 242 00:15:25,141 --> 00:15:26,581 I wish she was here. 243 00:15:26,581 --> 00:15:29,301 You'd think the social would let her stay the night. 244 00:15:29,301 --> 00:15:30,581 It's not allowed, 245 00:15:30,581 --> 00:15:35,181 while they're still talking about... bloody adoption. 246 00:15:38,261 --> 00:15:40,061 Can you imagine what Mum and Dad would say? 247 00:15:40,061 --> 00:15:41,821 Oh, don't start. 248 00:15:41,821 --> 00:15:43,381 I just wish you'd invited them, 249 00:15:43,381 --> 00:15:45,421 so they could see how well you're doing, and Kelly. 250 00:15:45,421 --> 00:15:47,821 No, that man is not coming within a mile of my daughter. 251 00:15:47,821 --> 00:15:49,341 He's too ill to hurt a fly these days. 252 00:15:49,341 --> 00:15:51,581 It's never gonna happen. 253 00:15:58,341 --> 00:16:00,221 CHINKS GLASS 254 00:16:02,941 --> 00:16:09,181 May I present my beautiful, talented wife. 255 00:16:09,181 --> 00:16:11,421 Let's hear it for Mrs Hannington. 256 00:16:11,421 --> 00:16:13,621 APPLAUSE, WHOOPING 257 00:16:13,621 --> 00:16:15,541 You're not so bad yourself. 258 00:16:18,421 --> 00:16:21,501 Just don't expect me to honour and obey, OK? 259 00:16:21,501 --> 00:16:22,901 LAUGHTER 260 00:16:22,901 --> 00:16:25,381 Er, speech, Boise, speech! 261 00:16:25,381 --> 00:16:27,941 ALL CLAMOUR 262 00:16:27,941 --> 00:16:29,541 Come on. 263 00:16:29,541 --> 00:16:31,501 You know, I'm a man of few words. 264 00:16:31,501 --> 00:16:33,621 RONALD: Only when it comes to the Old Bill, Boisie. 265 00:16:33,621 --> 00:16:34,821 LAUGHTER 266 00:16:34,821 --> 00:16:37,981 Only words he knows down the nick are "no" and "comment". 267 00:16:37,981 --> 00:16:40,141 So I'll keep it brief. Thank God for that. 268 00:16:40,141 --> 00:16:42,781 If you'll let me get a word in... 269 00:16:42,781 --> 00:16:45,381 All I want to say is... 270 00:16:45,381 --> 00:16:47,781 I'm very grateful to you all for coming 271 00:16:47,781 --> 00:16:50,101 and helping us celebrate today. 272 00:16:51,261 --> 00:16:54,941 I can honestly say I have never been happier. 273 00:16:56,501 --> 00:16:59,181 So, here's to you. 274 00:17:01,381 --> 00:17:03,821 To Boisie and Joan. 275 00:17:03,821 --> 00:17:05,501 ALL: Boisie and Joan. 276 00:17:05,501 --> 00:17:08,181 APPLAUSE 277 00:17:08,181 --> 00:17:11,261 I love you. I love you. 278 00:17:13,741 --> 00:17:16,141 MUSIC: 'I'm So Excited' by The Pointer Sisters 279 00:17:21,381 --> 00:17:23,901 LAUGHTER 280 00:17:33,061 --> 00:17:36,861 We're gonna make it happen 281 00:17:38,621 --> 00:17:42,501 All other things aside 282 00:17:43,821 --> 00:17:47,421 And show me some affection 283 00:17:49,221 --> 00:17:52,581 In the night 284 00:17:53,581 --> 00:17:56,781 285 00:17:56,781 --> 00:18:01,901 I want to squeeze you, please you 286 00:18:01,901 --> 00:18:03,981 287 00:18:03,981 --> 00:18:05,821 288 00:18:05,821 --> 00:18:08,021 Are you all right? 289 00:18:09,141 --> 00:18:11,741 Lots of noise and people you don't know, eh? 290 00:18:11,741 --> 00:18:14,301 Joan! 291 00:18:14,301 --> 00:18:16,261 Come on! Come and dance with us. 292 00:18:16,261 --> 00:18:18,341 SOFTLY: Not gonna leave her on her own, am I? 293 00:18:22,061 --> 00:18:24,461 Which one's your favourite? Tell me he hasn't got the hump 294 00:18:24,461 --> 00:18:26,341 cos you've gotta look after your own daughter? 295 00:18:26,341 --> 00:18:27,381 Oh, mind your own. 296 00:18:27,381 --> 00:18:28,861 Keep your hair on. 297 00:18:28,861 --> 00:18:30,661 How about you keep your nose out? 298 00:18:30,661 --> 00:18:33,101 First off, you're telling me I don't know him well enough... 299 00:18:33,101 --> 00:18:34,661 And do you? 300 00:18:35,981 --> 00:18:38,501 What was all that crap about the police and "no comment"? 301 00:18:40,661 --> 00:18:42,981 If you're not banging on about Boisie, 302 00:18:42,981 --> 00:18:44,181 you are on one about Dad. 303 00:18:44,181 --> 00:18:46,901 He'd be proud of you now. Proud? 304 00:18:46,901 --> 00:18:48,941 You know as well as I do that if he were here, 305 00:18:48,941 --> 00:18:50,461 he'd be finding fault in everything, 306 00:18:50,461 --> 00:18:52,421 just like he's done since the day I was born. 307 00:18:52,421 --> 00:18:55,261 You were the apple of his eye. Yeah, till I turned 12. 308 00:18:55,261 --> 00:18:57,381 Joan, you were a tearaway, he was old-fashioned. 309 00:18:57,381 --> 00:18:58,821 He didn't know how to handle you. 310 00:18:58,821 --> 00:19:01,861 I wasn't a tearaway, I was a runaway, and you know why. 311 00:19:03,941 --> 00:19:06,181 Why do you pretend like you don't know what he did to me? 312 00:19:06,181 --> 00:19:07,941 I've still got the scars to prove it. 313 00:19:07,941 --> 00:19:10,821 Not in front of Kelly. Oh, no, she's gonna grow up understanding 314 00:19:10,821 --> 00:19:13,701 that it's not all right for a man to behave like he did. 315 00:19:13,701 --> 00:19:15,261 And it's not all right for other people 316 00:19:15,261 --> 00:19:17,301 to make out like it didn't happen. 317 00:19:17,301 --> 00:19:19,581 You and Mum are as bad as each other, you know that? 318 00:19:21,341 --> 00:19:23,821 So, you'll dance with Albie but not your husband? 319 00:19:23,821 --> 00:19:25,701 Kelly needs her. You can see that. 320 00:19:25,701 --> 00:19:27,741 How about you take Kelly back to the Ashburys', eh? 321 00:19:27,741 --> 00:19:29,221 They're staying nearby. 322 00:19:29,221 --> 00:19:31,461 You don't wanna go yet, do you? 323 00:19:31,461 --> 00:19:33,581 I'm tired. 324 00:19:34,901 --> 00:19:38,381 'Ere you are, ten minutes in a taxi. No, I want Kel here. 325 00:19:38,381 --> 00:19:41,221 Yeah, but she doesn't wanna be here, does she? 326 00:19:41,221 --> 00:19:42,901 Nancy? 327 00:19:47,821 --> 00:19:49,301 Give your mum a kiss, Kel. 328 00:19:53,821 --> 00:19:54,981 You all right? 329 00:19:54,981 --> 00:19:57,061 Yeah? Good girl. 330 00:19:59,381 --> 00:20:00,821 Come with Auntie Nancy. 331 00:20:02,261 --> 00:20:04,941 She'll be all right. Come on. 332 00:20:08,621 --> 00:20:11,301 CHEERING 333 00:20:26,701 --> 00:20:30,181 Judging the value of a gem stone is complex, of course, 334 00:20:30,181 --> 00:20:32,621 and much depends on the type of stone, 335 00:20:32,621 --> 00:20:37,101 but the number one factor will always be durability. 336 00:20:37,101 --> 00:20:39,621 No matter how beautiful a stone looks, 337 00:20:39,621 --> 00:20:43,301 the most important characteristic is how long it will endure. 338 00:20:43,301 --> 00:20:45,661 And do we know which stones are the most durable? 339 00:20:46,821 --> 00:20:49,421 Diamonds. Actually, no. 340 00:20:49,421 --> 00:20:50,701 Anyone else? 341 00:20:53,861 --> 00:20:55,181 At the back. 342 00:20:57,181 --> 00:20:58,301 Jade? 343 00:20:58,301 --> 00:20:59,781 Correct. 344 00:20:59,781 --> 00:21:02,101 Could you tell us why? 345 00:21:02,101 --> 00:21:04,461 Well, diamonds are the hardest stones, 346 00:21:04,461 --> 00:21:05,941 but they have perfect cleavage, 347 00:21:05,941 --> 00:21:09,501 so they can split in two more easily than jade. 348 00:21:09,501 --> 00:21:13,941 You'd say, then, that we should look to avoid cleavage in a diamond? 349 00:21:13,941 --> 00:21:16,621 I wouldn't go that far. LAUGHTER 350 00:21:16,621 --> 00:21:21,661 So, if we're prepared to excuse cleavage in our diamonds, 351 00:21:21,661 --> 00:21:23,701 how do we value them? 352 00:21:23,701 --> 00:21:26,421 The first question we must always ask ourselves 353 00:21:26,421 --> 00:21:29,301 is are these diamonds real? 354 00:21:30,701 --> 00:21:32,941 And if we're talking about uncut stones, 355 00:21:32,941 --> 00:21:36,701 we're going to answer that by checking for any tiny inclusions, 356 00:21:36,701 --> 00:21:39,341 or, in layman's terms, flaws. 357 00:21:39,341 --> 00:21:43,461 Because a flawless uncut diamond is a fake. 358 00:21:49,101 --> 00:21:50,781 BOISIE: All you've got to do is tell them 359 00:21:50,781 --> 00:21:52,301 the painting's genuine, which it is. 360 00:21:52,301 --> 00:21:53,541 I can't. 361 00:21:53,541 --> 00:21:55,981 You've done it loads of times before for me. 362 00:21:55,981 --> 00:21:57,061 Not this one. 363 00:21:59,381 --> 00:22:01,821 You'll get your usual fee, plus 10%. 364 00:22:01,821 --> 00:22:04,461 I value my kneecaps more, Boisie. 365 00:22:04,461 --> 00:22:07,301 So, you don't want that grand for the initial tip-off, then? 366 00:22:09,061 --> 00:22:10,901 You're getting nothing if I can't sell it. 367 00:22:10,901 --> 00:22:12,101 I know you need that cash. 368 00:22:12,101 --> 00:22:14,861 Just find someone else, Boisie, for God's sake. 369 00:22:16,181 --> 00:22:19,541 For one thing, I'd never pull it off. Look at me. 370 00:22:19,541 --> 00:22:21,701 Hm? HUGO INHALES 371 00:22:21,701 --> 00:22:22,981 I'll screw it up. 372 00:22:22,981 --> 00:22:25,421 They'll see I'm a wreck, and they won't believe me. 373 00:22:25,421 --> 00:22:27,061 OK. 374 00:22:29,421 --> 00:22:31,421 If I find someone else, 375 00:22:31,421 --> 00:22:33,301 then you need to get them plotted in here. 376 00:22:33,301 --> 00:22:35,421 The Irish will want to know they're kosher. 377 00:22:35,421 --> 00:22:36,701 And what will I tell my boss? 378 00:22:36,701 --> 00:22:40,061 Say... I dunno, they're here to train. 379 00:22:40,061 --> 00:22:43,461 Hugo, you can say anything you like, I don't care. 380 00:22:43,461 --> 00:22:45,901 If you want that grand, this is what's happening. 381 00:22:50,461 --> 00:22:52,621 And I need you to tell 'em everything there is to know 382 00:22:52,621 --> 00:22:53,941 about George fucking Stubbs. 383 00:22:53,941 --> 00:22:56,861 Well, they'll need to be word-bloody-perfect. Listen... 384 00:22:56,861 --> 00:22:59,101 there is no way this is coming back on me. 385 00:23:02,781 --> 00:23:04,981 'This is the one I'm not sure is genuine.' 386 00:23:06,381 --> 00:23:09,421 I think I can see the smallest flaw, but... 387 00:23:10,421 --> 00:23:13,461 Some inclusions are extremely hard to detect 388 00:23:13,461 --> 00:23:15,941 with magnification alone, 389 00:23:15,941 --> 00:23:19,621 so checking for fluorescents with a UV torch 390 00:23:19,621 --> 00:23:21,861 can be very helpful. 391 00:23:23,701 --> 00:23:25,581 Hm? Hm. 392 00:23:29,341 --> 00:23:30,541 Have another look. 393 00:23:38,901 --> 00:23:40,981 Do you see an inclusion? 394 00:23:40,981 --> 00:23:42,661 I can, yeah. 395 00:23:42,661 --> 00:23:44,421 That means? 396 00:23:47,621 --> 00:23:49,101 It's real. 397 00:24:04,501 --> 00:24:06,461 HE EXHALES 398 00:24:22,581 --> 00:24:25,581 You gonna tell me what's up? 399 00:24:29,341 --> 00:24:31,741 I've found a buyer for the Stubbs. 400 00:24:33,101 --> 00:24:35,141 We agreed that you'd chuck it in the river. 401 00:24:35,141 --> 00:24:37,221 No, we didn't. Yes, we did. 402 00:24:37,221 --> 00:24:39,221 Cos I'm only trying to get my daughter back, 403 00:24:39,221 --> 00:24:42,461 and you stood there, and you told me that you understood that. 404 00:24:42,461 --> 00:24:43,621 I do understand. 405 00:24:43,621 --> 00:24:46,821 Oh, yeah, provided you can still do whatever you want, when you want. 406 00:24:46,821 --> 00:24:48,421 A work of art is not going in the river. 407 00:24:51,101 --> 00:24:52,981 I just need someone to say they're from Abney's 408 00:24:52,981 --> 00:24:54,061 and sign it off as legit. 409 00:24:54,061 --> 00:24:56,341 I'd ask you to do it, but... 410 00:24:59,621 --> 00:25:01,541 You don't care, do you? 411 00:25:03,301 --> 00:25:05,061 You don't care if I get her back or not. 412 00:25:38,861 --> 00:25:40,541 Well, married life is suiting you. 413 00:25:42,141 --> 00:25:43,861 How do you know I'm married? 414 00:25:43,861 --> 00:25:46,181 It's my job to know what you're up to... 415 00:25:46,181 --> 00:25:48,181 what you're thinking. Hm. 416 00:25:49,461 --> 00:25:51,541 Well, go on, then, clever clogs. 417 00:25:53,141 --> 00:25:55,381 You hungry? 418 00:25:55,381 --> 00:25:56,901 Hungry for what? 419 00:25:56,901 --> 00:25:59,221 Change. 420 00:25:59,221 --> 00:26:00,421 Excitement. 421 00:26:01,861 --> 00:26:03,981 'I know what you really want, Joan.' 422 00:26:05,461 --> 00:26:07,981 To have Kelly back with you. 423 00:26:07,981 --> 00:26:10,221 And I would love for that to happen. 424 00:26:10,221 --> 00:26:13,021 The thing is, I don't think it can. 425 00:26:15,181 --> 00:26:16,341 Not now. 426 00:26:18,261 --> 00:26:19,821 What's this? 427 00:26:25,701 --> 00:26:27,541 That robbery in Sussex. 428 00:26:28,781 --> 00:26:30,581 Don't know what you're on about. Yes, you do. 429 00:26:30,581 --> 00:26:32,381 Harris and his boys searched the shop. 430 00:26:33,581 --> 00:26:35,221 That's the woman involved. 431 00:26:36,341 --> 00:26:37,941 Harris has met you. 432 00:26:37,941 --> 00:26:40,381 If he sees this, he's gonna know straightaway that it's you, 433 00:26:40,381 --> 00:26:43,221 and he'll nick you for aggravated burglary. 434 00:26:44,621 --> 00:26:46,501 You're looking at years for that, not months. 435 00:26:46,501 --> 00:26:48,461 It doesn't look anything like me. 436 00:26:51,901 --> 00:26:54,181 The thing is, I can make sure that doesn't happen. 437 00:26:56,781 --> 00:26:58,421 Why would you do that? 438 00:26:58,421 --> 00:27:02,181 I mean, you don't wear a uniform, but you've still got a badge. 439 00:27:02,181 --> 00:27:05,101 All you've got to do is work for me. 440 00:27:05,101 --> 00:27:07,541 You be my eyes and ears, 441 00:27:07,541 --> 00:27:10,021 and I'll do a deal, get the other thing gone. 442 00:27:10,021 --> 00:27:12,781 Think about it, Joan. 443 00:27:12,781 --> 00:27:15,741 You could have a completely different life. 444 00:27:15,741 --> 00:27:18,261 You're safe, with Kelly. 445 00:27:18,261 --> 00:27:20,341 I'm not a grass, Tom. 446 00:27:20,341 --> 00:27:23,221 Anyway, I've got nothing to tell you. 447 00:27:27,101 --> 00:27:29,941 CAR PULLING UP 448 00:27:34,821 --> 00:27:36,701 Thanks, I'll keep it. 449 00:27:42,101 --> 00:27:44,021 Here you go, mate. 450 00:27:57,981 --> 00:28:01,021 What's with the Old Bill? 451 00:28:01,021 --> 00:28:03,061 Don't know what you're on about. 452 00:28:04,501 --> 00:28:06,621 That bloke I've just seen you with. 453 00:28:06,621 --> 00:28:10,701 Well, who says he's Old Bill? We both know bacon when we smell it. 454 00:28:12,861 --> 00:28:15,421 If you must know... 455 00:28:15,421 --> 00:28:17,421 he wanted to show me this. 456 00:28:17,421 --> 00:28:22,461 Apparently, she was involved in nicking a painting by George Stubbs. 457 00:28:22,461 --> 00:28:24,781 A burglary, Boise. 458 00:28:24,781 --> 00:28:27,421 A burglary where a bloke got clocked with a gun. 459 00:28:27,421 --> 00:28:28,861 According to who? 460 00:28:28,861 --> 00:28:30,981 The woman who owns the house and the painting. 461 00:28:30,981 --> 00:28:32,781 What about the fella? He say anything? 462 00:28:32,781 --> 00:28:34,821 Oh, no, don't worry, all he can remember 463 00:28:34,821 --> 00:28:36,581 is that whoever hit him was wearing a mask, 464 00:28:36,581 --> 00:28:38,741 so you are in the clear. 465 00:28:38,741 --> 00:28:39,941 It's just me facing time. 466 00:28:39,941 --> 00:28:43,541 With one witness, who drinks like George Best? 467 00:28:43,541 --> 00:28:47,141 That'll never stick. It will if they find the painting. 468 00:28:57,821 --> 00:28:59,221 SHE SIGHS 469 00:29:13,621 --> 00:29:15,141 SHE COUGHS LIGHTLY 470 00:29:25,181 --> 00:29:26,941 DOOR CLOSES 471 00:29:39,501 --> 00:29:41,781 TYRES SCREECH 472 00:30:06,821 --> 00:30:08,701 Oi! Don't. 473 00:30:08,701 --> 00:30:12,261 I'm not going down and losing my girl over a few quid, Boisie. 474 00:30:16,581 --> 00:30:18,301 It's not about the money. 475 00:30:19,781 --> 00:30:21,141 It's about who the buyer is. 476 00:30:23,941 --> 00:30:26,141 I'm selling it to the Irish. 477 00:30:29,101 --> 00:30:32,221 You've organised a sale with the IR-fucking-A, 478 00:30:32,221 --> 00:30:33,501 and you didn't tell me? 479 00:30:33,501 --> 00:30:35,661 I know, I know. It was the only fucking option, so... 480 00:30:35,661 --> 00:30:38,741 I just want Kelly back. This won't affect that. 481 00:30:38,741 --> 00:30:40,101 Are you mad? 482 00:30:40,101 --> 00:30:42,461 Tell them it can't be done, tell them the deal's off. 483 00:30:42,461 --> 00:30:45,741 I can't do that with the IRA. Are you trying to get me killed? 484 00:30:58,421 --> 00:31:00,621 We said we were going straight. 485 00:31:09,101 --> 00:31:12,261 That life's not for the likes of us, Joan. 486 00:31:25,781 --> 00:31:27,661 I need you, Joan. 487 00:31:31,581 --> 00:31:34,581 I have since the second I laid eyes on you. 488 00:31:42,301 --> 00:31:44,981 IF I do this... 489 00:31:46,461 --> 00:31:49,221 ..it's because we have no fucking choice. 490 00:32:24,341 --> 00:32:25,941 Can I help you? 491 00:32:25,941 --> 00:32:27,941 Jessica Cunningham to see Hugo Saxton. 492 00:32:27,941 --> 00:32:30,141 Of course. Thank you. 493 00:32:36,941 --> 00:32:39,141 Right, tell me about this. 494 00:32:39,141 --> 00:32:41,381 One of a set of three paintings 495 00:32:41,381 --> 00:32:45,101 commissioned in 1759 by the second Duke of Richmond... 496 00:32:45,101 --> 00:32:47,781 The THIRD Duke of Richmond. Jesus! 497 00:32:47,781 --> 00:32:49,861 We've only just been through this. 498 00:32:49,861 --> 00:32:52,461 You do realise how dangerous these people are? 499 00:32:52,461 --> 00:32:54,101 Of course, I know. 500 00:32:54,101 --> 00:32:56,581 You cannot mess up. 501 00:33:00,061 --> 00:33:02,181 One of a set of three paintings 502 00:33:02,181 --> 00:33:05,541 commissioned in 1759 by the third Duke of Richmond, 503 00:33:05,541 --> 00:33:07,141 who was so pleased with the results 504 00:33:07,141 --> 00:33:09,381 that he encouraged his fellow dukes and lords 505 00:33:09,381 --> 00:33:10,941 to follow his lead. TELEPHONE RINGS 506 00:33:16,741 --> 00:33:18,621 Hugo Saxton. 507 00:33:18,621 --> 00:33:20,861 MAN: 'Can I speak to Jessica Cunningham, please?' 508 00:33:20,861 --> 00:33:23,621 Yes, she's here with me now. One moment, please. 509 00:33:28,221 --> 00:33:30,701 Jessica Cunningham speaking. How can I help you? 510 00:33:32,341 --> 00:33:35,181 CLICK, DISCONNECT TONE 511 00:33:40,701 --> 00:33:42,621 Right. HE CLEARS HIS THROAT 512 00:33:44,301 --> 00:33:49,101 You'll need to inspect every inch very carefully. 513 00:33:49,101 --> 00:33:50,821 And you'll need to check the signature 514 00:33:50,821 --> 00:33:53,101 against photographs of other examples. 515 00:33:54,101 --> 00:33:56,141 'As for the brush strokes, 516 00:33:56,141 --> 00:33:58,741 'you're assuring yourself that these are in keeping 517 00:33:58,741 --> 00:34:01,901 'with the artist's entire body of work. 518 00:34:01,901 --> 00:34:05,021 'Be confident, self-assured. 519 00:34:05,021 --> 00:34:08,021 'Most of all, do not hesitate.' 520 00:34:12,421 --> 00:34:13,821 Good afternoon, everyone. 521 00:34:23,101 --> 00:34:24,341 Jessica Cunningham. 522 00:34:26,101 --> 00:34:28,221 Sean. This is Michael. 523 00:34:29,581 --> 00:34:31,501 You work at Abney's? 524 00:34:31,501 --> 00:34:33,941 I'm sure you've checked, or I wouldn't be here. 525 00:34:35,541 --> 00:34:37,181 So, how are we gonna do this? 526 00:34:38,581 --> 00:34:39,941 It's not my business, 527 00:34:39,941 --> 00:34:42,261 but I do need a quiet space to assess the piece. 528 00:34:42,261 --> 00:34:43,621 Right, well... 529 00:34:43,621 --> 00:34:45,421 CLEARS THROAT ..I've got an hotel room. 530 00:34:45,421 --> 00:34:47,301 Not a fucking chance we're all in the same room 531 00:34:47,301 --> 00:34:49,061 with both the painting and the money. 532 00:34:50,581 --> 00:34:51,621 Because? 533 00:34:53,661 --> 00:34:55,741 Plausible deniability, sweetheart. 534 00:34:59,821 --> 00:35:02,861 Right, you come to the hotel with me and do your thing. 535 00:35:02,861 --> 00:35:05,381 You, stay here with Michael. Hang on. 536 00:35:05,381 --> 00:35:07,981 When, er... Sorry, what's your name again? 537 00:35:07,981 --> 00:35:09,381 Jessica. 538 00:35:10,781 --> 00:35:13,061 When Jessica confirms she's happy with what she sees, 539 00:35:13,061 --> 00:35:15,261 I call Michael, he'll give you the cash. 540 00:35:16,981 --> 00:35:19,141 I'm not just going to hand over the painting... 541 00:35:19,141 --> 00:35:21,461 We do things our way or not at all. 542 00:35:25,741 --> 00:35:27,781 I'm sure Albie'll be around to keep an eye out. 543 00:35:33,301 --> 00:35:35,181 It's all right. Let's just do what he says. 544 00:35:42,741 --> 00:35:44,381 LIFT BELL DINGS 545 00:36:28,781 --> 00:36:29,901 Drink? 546 00:36:31,541 --> 00:36:33,381 No, thank you. 547 00:36:35,101 --> 00:36:36,221 You're tense. 548 00:36:37,541 --> 00:36:38,741 You're armed. 549 00:36:41,341 --> 00:36:44,061 Right, then, shall we take a look? 550 00:37:08,981 --> 00:37:11,301 There's a lot of copies around. 551 00:37:11,301 --> 00:37:13,261 It's a very popular artist. 552 00:37:14,501 --> 00:37:16,341 Big exhibition at the Tate last year. 553 00:37:16,341 --> 00:37:18,941 I wonder how many of them were fake. 554 00:37:18,941 --> 00:37:21,181 Each painting will have been authenticated. 555 00:37:22,661 --> 00:37:25,901 By someone like you? Yes. 556 00:37:25,901 --> 00:37:27,781 You're not exactly honest, Miss Cunningham, 557 00:37:27,781 --> 00:37:29,261 or you wouldn't be here. 558 00:37:33,621 --> 00:37:36,821 My reputation relies on my opinions being honest. 559 00:37:36,821 --> 00:37:38,461 If they could be bought, 560 00:37:38,461 --> 00:37:40,501 they wouldn't be worth much, would they? 561 00:37:44,701 --> 00:37:45,981 What's your opinion on this? 562 00:37:48,261 --> 00:37:50,101 Patience, please. 563 00:37:55,661 --> 00:37:57,221 Interesting. 564 00:38:03,461 --> 00:38:05,261 It hasn't been relined. 565 00:38:06,781 --> 00:38:08,621 And? 566 00:38:08,621 --> 00:38:11,261 And it's highly unusual. 567 00:38:11,261 --> 00:38:14,621 To find a piece in its original condition, like this, 568 00:38:14,621 --> 00:38:16,861 is... rare. 569 00:38:21,741 --> 00:38:23,261 Let's see. 570 00:38:26,341 --> 00:38:29,301 Ah. Candle wax. 571 00:38:30,981 --> 00:38:34,661 The thing about fakes, good fakes, 572 00:38:34,661 --> 00:38:36,301 is that they're completely perfect. 573 00:38:37,581 --> 00:38:39,541 Every stroke utterly perfect. 574 00:38:41,341 --> 00:38:43,261 But what about the flaws, Sean? 575 00:38:50,141 --> 00:38:53,501 TELEPHONE RINGING 576 00:39:00,061 --> 00:39:01,541 Michael, phone. 577 00:39:41,101 --> 00:39:42,661 Thanks very much for the Stubbs. 578 00:39:44,781 --> 00:39:46,901 Now be on your way. 579 00:39:50,061 --> 00:39:51,341 I think you need to get going. 580 00:39:51,341 --> 00:39:53,101 I want my money. 581 00:39:54,181 --> 00:39:56,101 And I want a free Ireland. 582 00:39:59,301 --> 00:40:00,341 We had a deal. 583 00:40:00,341 --> 00:40:02,941 SCOFFS Your deal's fucked. 584 00:40:05,541 --> 00:40:07,821 Now, leave. 585 00:40:07,821 --> 00:40:09,381 While you still can. 586 00:40:52,261 --> 00:40:54,821 You do know what we do with these paintings, don't you? 587 00:40:56,101 --> 00:40:58,301 I stay out of these things, Sean. 588 00:40:59,941 --> 00:41:02,221 We use them as collateral to buy arms for the struggle. 589 00:41:04,461 --> 00:41:07,981 As I say, I stay out of these things. 590 00:41:10,341 --> 00:41:12,741 Well, you're a hard bitch, right enough. 591 00:41:14,461 --> 00:41:17,181 I'll think you'll find I'm not hard, just practical. 592 00:41:21,341 --> 00:41:23,061 Do you fancy that drink now? 593 00:41:23,061 --> 00:41:25,501 I'm afraid I have another engagement. 594 00:41:27,421 --> 00:41:29,221 I really do... 595 00:41:29,221 --> 00:41:30,781 GRUNTS Police! Stay down! 596 00:41:30,781 --> 00:41:32,941 SHE GRUNTS 597 00:41:44,941 --> 00:41:46,981 All right. Get in. 598 00:41:55,341 --> 00:41:57,141 Good look, Joan. 599 00:41:57,141 --> 00:42:00,181 You been following me the whole time? 600 00:42:00,181 --> 00:42:02,741 I'm sorry. I tried to offer you a way out. 601 00:42:04,981 --> 00:42:06,141 Pigs. 602 00:42:07,741 --> 00:42:09,661 You're all the same. 603 00:42:09,661 --> 00:42:11,501 HE SIGHS Joan... 604 00:42:17,981 --> 00:42:20,341 MAN: 'Joan Hannington, you are remanded in custody, 605 00:42:20,341 --> 00:42:22,021 'and we are not granting you bail 606 00:42:22,021 --> 00:42:24,421 'because there are substantial grounds to believe 607 00:42:24,421 --> 00:42:26,141 'that you will not come back to court, 608 00:42:26,141 --> 00:42:27,941 'or you will commit another offence. 609 00:42:27,941 --> 00:42:30,261 'We believe this because of the nature and seriousness 610 00:42:30,261 --> 00:42:32,941 'of the offence and how you might be dealt with for it, 611 00:42:32,941 --> 00:42:34,661 'and because of your criminal record, 612 00:42:34,661 --> 00:42:36,621 'personal background and character. 613 00:42:36,621 --> 00:42:39,061 'You may apply to the Crown Court for bail in due course.' 614 00:42:39,061 --> 00:42:40,381 Don't you fucking hang up on me! 615 00:42:40,381 --> 00:42:42,741 No, no, no, no, no, no, no, no! PRISONER: We're waiting! 616 00:42:42,741 --> 00:42:45,181 I've just arrived. I need to make some calls. 617 00:42:45,181 --> 00:42:48,141 I need to call my little girl. No, I need to call MY daughter. 618 00:42:49,261 --> 00:42:50,821 Go on, we're waiting! 619 00:42:58,181 --> 00:42:59,981 RINGING TONE 620 00:42:59,981 --> 00:43:02,901 'Hello, 0-8-2-9?' Mrs Ashbury? It's me, Joan. 621 00:43:02,901 --> 00:43:04,941 Can I speak to Kelly, please? 622 00:43:04,941 --> 00:43:06,781 SHOUTING 623 00:43:06,781 --> 00:43:10,661 'Joan? 624 00:43:10,661 --> 00:43:12,621 'Joan.' I said can you please tell... 625 00:43:12,621 --> 00:43:14,621 'I'm truly sorry, but I think it's better 626 00:43:14,621 --> 00:43:17,661 'if you don't speak to Kelly while you're in your current environment.' 627 00:43:19,461 --> 00:43:22,901 No, no, you can't do that... 'As I say, I am sorry. 628 00:43:22,901 --> 00:43:26,141 'It's better for Kelly. You can see that, I'm sure.' 629 00:43:28,821 --> 00:43:31,621 DISCONNECT TONE 630 00:43:31,621 --> 00:43:33,581 GUARD: Calm down! What is going on? 631 00:43:33,581 --> 00:43:36,021 SHOUTING CONTINUES Calm down! 632 00:43:47,901 --> 00:43:51,141 633 00:43:51,141 --> 00:43:53,181 634 00:43:53,181 --> 00:43:57,861 If you let them rule 635 00:43:57,861 --> 00:44:01,101 636 00:44:01,101 --> 00:44:04,261 637 00:44:04,261 --> 00:44:06,901 Go, glitter girl 638 00:44:06,901 --> 00:44:11,341 Don't let the mirror fall 639 00:44:11,341 --> 00:44:14,381 640 00:44:14,381 --> 00:44:16,421 Subtitles by accessibility@itv.com